Passage Analysis- A Farewell to Arms :: essays research papers

One measure of a sinewy writer lies in her ability to write literature in which both line of achievement can be set apart from its context and sedate express the qualities of the whole. When this occurs, the integrated profundity of the entire work is a condense of true artistry. Ernest Hemingway, an author of the Lost Generation, was one such writer who get the hang the art of investing simple sentence structure with layers of complex meaning. Hemingway, who was a journalist in the earlier years of his create verbally career, was known for writing in a declarative or terse style of prose. The skill of emotion and meaning that he conveyed through such minimalistic text is astounding. He also experimented with a stream-of-consciousness technique developed by writers such as James Joyce and William Faulkner to an interior dimension to his prose. In A Farewell to Arms, the yarn of wartime romance between an American soldier in the Italian Army, Frederic, and Catherine, the Bri tish nurse who cares for him, there are a multitude of passages which could easily set up alone as poetry because of their symbolic meaning. However, when these exceptional passages are twist into the fabric of the novel as a whole, the reader is able to realise an even greater level of understanding. One extraordinary passage is put near the end of the novel during which Frederic Henry agonizes over the danger his buffers in while she struggles with the hold of their baby. By juxtaposing the imminent birth of Frederics child with the possible death of his beloved, Hemingway explores a deep ambivalency about the meaning of life and loss. Throughout this passage, structure plays an important place in illuminating Frederics emotional metamorphosis from concern to desperation.The passage opens with Frederic watching poor, poor dear Cat (line 1) in her apparent relegate of helplessness as she struggles through giving birth. Through strong record choice, Hemingway continues to display Frederics obvious contemptuous feelings about the biological consequences of love. He views Catherines pain and suffering as the price you pay (line 1) for loving someone. Ironically, a birth is usually shown in a positive light as the pain one suffers to birth a child pales in comparison to the tremendous joy of receiving a newborn baby. Despite conventions, Frederic feels as if he has been trapped by some malignant force of life and is anything simply happy about the impending birth.