'Antigone – Essay 9\r'

'Aristotle defines a sad virtuoso as â€Å"having spunky estate, nobleness of individual, ability to carry free will, having tragic flaw, also somebody we ar fitted to empathize with, a person who suffers from regress of fortune, achieving enlightenment, accepting responsibility for his/her fall and being able to spoil bravely. ” I am going to engross Aristotle’s definition of a tragic molar to support evidence to the function Antigone, in the feed Antigone. To me, the tragic pigboat in the play is Antigone. Antigone, who is the girlfri difference of Oedipus and Jocasta, becomes infuriated with Creon, who is the king of Thebes and her uncle.\r\nCreon will not vacate Antigones brother, Polynices, to be buried. Antigone tells her sister, Ismene, that she will defy Creon’s impression even though she knows the consequences, which is death. The head start-class honours degree on Aristotle’s tragic pigboat list is that the timber â€Å"shou ld be of broad(prenominal) estate/class. ” Antigone comes from high estate; she was considered a princess and was to be married to Creon’s son, Haemon. Though Antigone came from high estate/class, she still did not carry come out of the closet the power to make changes; therefore, Antigone’s character of having high estate, yet no power, complies a little with Aristotle’s tragic hero.\r\nSecond on Aristotle’s tragic hero list, was that the character â€Å"should nourish nobility of soul or tragic greatness. ” Antigone showed nobility of soul because she stood-up for what she believed in shrewd the outcomes would cost her life. An example of her nobility was when she starting signal told her sister, Ismene, of what she was going to do. Antigone said, â€Å"I’ll bury him myself. And even if I die in the act, that death will be a glory. ” I infer that this quote shows nobility of soul, as well as, a tragic greatness.\r\nShe saw it as glory to die for doing the right thing. (Line 85) troika on Aristotle’s tragic hero list, was that the character â€Å"should have free will and make of the essence(predicate) choices. ” From the beginning of the play, until Antigone’s death, she kept her free will, as well as, making important choices for herself. When Antigone had gotten caught by the guards temporary hookup burying her brother, she was taken to Creon to announce what she had done. There is a quote in there that shows how free willed of a person she was, Antigone says to Creon â€Å"Of course I did it.\r\nIt wasn’t Zeus, not in the least, who do this proclamationâ€not to me…These lawsâ€I was not intimately to break them, not out of fear of some man’s maimed pride, and face the retri yetion of the gods. ” This quote by Antigone shows that she was open of making her own choices, whether she would follow man’s law or the gods. She also sho wed that she was not shitless of the choices she made for herself. (Line 500) Aristotle’s fourth tragic hero listing is that the character â€Å"should have a tragic flaw or hamartia. Antigone made plenty of mistakes, her first one was defying Creon’s ruling. Though it was understandable wherefore she made that choice, it probably would have spared her from going by dint of all this trouble if she would have secure asked Creon for a puritanical burial. Unfortunately, Antigones stubbornness gets in the way of her idea and results in her acting off of her emotions. Also, when it comes to Antigone’s death, if she would have not taken the matters into her own hand again, Creon had made the decision to free her and disclose her brother the proper burial.\r\nYet, it is understandable that she does not want Creon to get gladness off of her death, as well as, not knowing that Creon would change his mind and actually side with her. Aristotle’s fifth tragi c hero listing is that the character â€Å"should be someone with whom we can empathize. ” Antigone had this guttle jam-packed with the audience. The whole city empathized with Antigone and felt that â€Å"No char ever deserved death less, and such a brutal death for such a empyreal action. She, with her own dear brother lying in his blood she couldn’t bear to leave him dead, unburied, solid food for the wild dogs or wheeling vultures.\r\nDeath? She deserves a glowing crown of gold! ” I savour that quote right there sums it up. (Line 775) The sixth tragic hero listing that Aristotle feels is necessary, is that the character â€Å"should suffer a reversal of fortune (peripeteia), falling from a bill to the depths. ” Antigone was considered a princess and to be married to the king’s son, Haemon. After being caught by the guards, she was sentenced to death by the king, Creon. Now she is looked upon as a slave, not as a princess. She is treated li ke trash and looked down upon. She went from being of royalty to quickly being nothing.\r\nAntigone by all odds serves the sixth tragic hero listing. The seventh tragic hero listing that Aristotle has is that the character â€Å"should achieve anagnorisis or enlightenment; should accept responsibility for his/her fall. ” Antigone takes responsibility when she is first brought to Creon and asked if she was the one to give Polynices a proper burial, Antigone responded with â€Å"I did it. I don’t deny a thing. ” Then Antigone shows her commonality with humanity when she is arguing with Creon about the citizens feeling like she did about his ruling.\r\nFor example, Creon says â€Å"You alone, of all the nation in Thebes, see things that way. ” Antigone replies with â€Å"They see it that way but defer to you and keep their tongues in leash. ” (Lines 492, 570) The last sign that Aristotle has listed that the tragic hero should carry is that the char acter â€Å"should die bravely. ” Antigone died for love, for respect and for doing what she and many others believed what was right. She did not bravely give her life to defy one man’s wants; it just unfortunately came down to her having to do that.\r\nAntigone gave up â€Å"…bridal-song, the bridal-bed, denied all joy of marriage, raising childrenâ€deserted by loved ones, struck by fate…” just to give her brother, Polynices a proper burial. I think she clearly defines dying bravely. (Line 1009) In conclusion, the tragic hero in the play Antigone is herself, Antigone. Antigone shows how her character meets the requirements of Aristotle’s tragic hero, as well as, many other aspects that we acknowledge in a common hero. Antigone, from the beginning to the end of the play, lived and died for what she believed in.\r\n'