he Tarantella Dance in A Dolls mansion In A Dolls House, Ibsen uses many another(prenominal) symbols. One symbol that is utilise to symbolize Noras character; is a dancing called the Tarantella. The Tarantella is a folk spring from gray Italy. It goes from an already quick gait to an plain quicker sensation, era alternating between study and minor keys. It is characterized by brisk movements, foot tapping, and on the womens part, overdone ruffling of petticoats. It involves a lot of in truth(prenominal) fast spinning and jumping until one cannot dance any longer and is so exhausted they put across to the ground. It is in constant uncertainty, exchangeable Noras character. The tarantella has a very interesting history. Its name derives from a little southern townspeople of Italy called Taranto. It was believed that if a spider called the tarantula bit the townspeople, the exactly centering to survive its bite was to do a dance called the Tarantella. The locals bel ieved this was the only cure. If the people bitten did not dance they would suffer severe pain, brawn spasms, vomiting; most at long go bad died. in that respect were not any drugs that could counteract the venom. Many believed that the sweating associated with the dance flushed the venom from the professional dancers bodies. They would continue dancing for hours and even days.
It was so common that musicians patrolled the fields where most of the bites took place in expectancy of being hired to play for the injured. Just as the dancer is try to sign up rid of the venom, Nora was trying to rid herself of the harmful outside poison. The tarantella serv! es as her last chance to be Torvalds doll, to dance and amuse him. HELMER: But, my dear Nora, you facial expression so worn out. Have you been practising too much? NORA: No, I have... If you want to get a full essay, order it on our website:
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